Going Home by Hildy Gottlieb Copyright ReSolve, Inc. 2001 ©
Four years ago, on a plane from New
York to Tucson, I scribbled out an homage of sorts - a love-letter to the place
I'd spent the first 22 years of my life. In my grieving this past month, I dug
through my computer to find that piece, hoping it would ease the
pain.
It was obvious from the first few
lines how much the whole world has changed - changed in the horrific irony of a
New York minute. And suddenly there is new meaning in the words I'd written so
innocently.
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From
1997: I am sitting in La Guardia
airport, waiting for my flight after surprising my closest childhood friend as
she turned 40. After all these years away, she is still my best friend, and so
it made perfect sense for me to fly to New York, just to show up at her door.
Deb turned 40; I came home.
I have traveled all over the
continent for a living. The trip I make most often, though, heads to or from
New York, my birthplace. And despite the fact that I have built my life in a
place I love; that my daughter was born and raised in Tucson; that my business
and my friends and even my transplanted mother now reside in the desert sun -
after 20 years away, going to New York is still "going home."
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2001: It's been hard this
past month, living so far away. I feel like I've left a child, or maybe even a
lover, alone and defenseless. I know now, for the first time, what it feels
like to long for a homeland, to feel the pull of a place on one's being. It's
been a hard month, a confusing month, making me question just what it is that
makes a place "home."
Is home defined by
life's critical moments? Debbie's wedding, Daddy's funeral, Marty's wedding,
Grandma's funeral - is that what makes it home?
Or is it the romance I have felt from the time I was a girl, the
passion that turns the asphalt and lights into a living being - someone I want
to make proud?
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1997: I could piece
together my life story just by my trips home. When my baby was three and life
was feeling calm, we brought her to Deb's woods in the Catskills. Cool rain
poured down around us as we huddled in the thicket deep in the woods, keeping
dry just like Bambi did in Lizzie's book. We searched for berries, watching as
our little girl shoved handfuls into her mouth, onto her shirt, staining her
tiny hands. The desert has no berries. It has no thicket. It is only at home
that I can show her these things.
Years later, when my marriage
died, I came home again, back to Deb's woods, this time to heal. I sat
motionless for a whole week, the sound of wild turkeys in the grasses and the
soft wet green of home acting like a salve to the wounds that threatened to
disable me. I spent the week building strength enough to get back on the plane
and head to the desert that held my pain.
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2001: Is that sense of "home"
lodged in the reality of New York? Or do I long for some romantic ideal that
doesn't really exist?
The reality is that it is green
there - so green that the first trip I made home from the desert, I walked up
and down my street, amazed that the trees were so tall, the grass so green, the
world so overgrown. How is it that it never occurred to me to notice the green
the whole time I was growing up?
And the
ocean, so much ocean that folks don't even see it, just like they don't see the
green. I spent my adolescence writing angst-ridden poetry
along the shore of the Long Island Sound.
And by the time we were in our 20's, we would pass our summer nights sipping
iced tea with fresh mint on the patio of a City Island hide-away, listening to
the hustle and bustle of returning Saturday sailboats.
There are other realities, too.
For one, it
is sticky. I'll confess to romanticizing that part - I do forget that it's
sticky. When I think of schlepping on the subways to get to Fashion Institute,
I think lovingly of every minute of rushing and dragging in the cold and wet,
in the hot and wet. But it WAS romantic. After school, with the
Christmas lights guiding me, I would sneak uptown
before taking the train home. I'd ice skate in Rockefeller Center. I'd go to
Bendel's and play dress-up. I can forgive myself for forgetting that sometimes
it really is too sticky to bear.
And the
pretzel vendors - they are real as well. Pretzel vendors who wait until you've
put your money in your wallet, and your wallet back in your purse, before
handing you your pretzel, because "you can never be too safe." When I lived in
New York, long before Mayor Rudy cleaned up the city, I always felt safe. At
2am, I would walk down the middle of the street, figuring only a nut would grab
someone who was walking down the middle of the street. It was my city back
then. I knew it wouldn't hurt me.
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1997: When Lizzie was eight and old
enough to begin to see
New York as her mama does, she and I spent a week with my
brother in his 22nd floor upper-east-side apartment. We stared downtown through
the floor to ceiling window of his bathroom, and the Manhattan lights convinced
Lizzie that the opening of Saturday Night Live was shot through her uncle's
shower. We breathed and tasted the city. We visited the Metropolitan Museum,
searching in vain for the long-removed fountain where Mrs. Basil E.
Frankweiler's friend Claudia bathed with her brother in the book Lizzie had
just finished. She gasped and cheered at Cats, her first Broadway play, and we
strolled along the boutiquey strip of Madison Avenue, where the clothes and the
chocolates are all divine. We danced at the top of the Empire State Building.
And Lizzie learned firsthand the difference between summer in New York and
summer in her desert home, as two sticky August days in Central Park put us
back on the plane ahead of schedule. As the cabbie took us to La Guardia, she
told him we had to escape to the dry 105 degrees we
understood.
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 2001:
I close my eyes and I am overwhelmed by the smell and taste
and feel of it. It's not a place when I close my eyes, but a feeling, a sense.
And amazingly, when I am there, it really feels and smells like I remember it
when I'm gone. It's what makes the longing, this horrible sense that I must go
home and take care of her - it's what makes it so much harder to bear. Because
the smell, the taste, the sense of my city - it's real.
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1997: I caught the first flight out
when they called to say Daddy was gone. I sobbed the whole flight home. They
lost my luggage, and I stopped crying long enough to threaten what I'd do if I
had to go to my father's funeral wearing the clothes I'd flown home in.
I still remember my aunt and uncle
meeting me at La Guardia. It was raining - it rained the whole week. I was 25
and married only a month, and I flew home to do what no child, at any age, is
ever prepared to do.
On the return flight, I leaned
into the window so hard I felt I was melting into that New York skyline. And I
knew that as long as I was inside that skyline, Daddy was somehow still alive,
still with me. The woman next to me talked from the moment I sat down, and I
wanted to scream at her to just be quiet! Let me be alone out here for my last
few moments with the skyline and my father. Please just let us
be!
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2001: Two years
ago, my partner, a native Tucsonan, was granted 3 months to live in my city.
Dimitri took his son to be an actor, and together, 12 year old and dad, they
rode the subways, saw shows and museums, and walked every inch of the sidewalks
that are still my home.
 It was fall, the time of year we were meant to be together, my
city and me - the time of year that brings romance and longing, memories of old
flames and the smell of possibilities. I would tell Dimitri all the wonderful
things to do, places to see, sights to behold. I would get off the phone,
homesick and jealous, and I would cry.
Which
is what I do now, this fall, talking to my brother, who watched from his
balcony along the Hudson as madmen attacked the place I love and the place that
really is still his home; the
place where his wife, who spends her days on Wall Street and watched it all
unfold before her, was by some grace of some god somewhere, not harmed except
in her soul, which is still aching and won't stop. I talk to them, I watch the
news, I read the New York Times and the Wall Street Journal, and still, a month
later, I cry. Cry as if it were the first time I'd heard. Cry for my
home.
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1997: Lizzie wants to
live here. Of all things. I left and made a life 3,000 miles away in the warmth
of the sun, and as soon as she can, she wants to be back where I left off.
She's barely begun 6th grade and yet talks confidently of attending
NYU. She is pure energy, my little girl, and she and my city will vie to keep
up with one another. They will both make me
proud.
She will love New York. But the
desert was her first home, and whatever life brings her, Tucson will be the
place she flies back to, smiling as she remembers the smell of creosote when it
rains, the javelinas and the monsoon lightning and the saguaros reaching for a
sky filled with stars. She will smile from someplace inside her that she is
still too young to know exists. Because regardless of where you live or where
life takes you, that's what it feels like when you're going
home.
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